PDF Ebook The Woman in Black

PDF Ebook The Woman in Black

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The Woman in Black

PDF Ebook The Woman in Black

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Review

"For anyone interested in the art of acting, the craft of movie making, or what it was like to live, work, and frolic in Hollywood during its Golden Age, Erik Tarloff’s The Woman in Black is a must-read. And in addition to all that, it’s a gripping story that, once begun, is almost impossible to put down."―Alison Martino, writer, TV producer and personality, Los Angeles cultural historian"A hell of a story. A teenaged kid in the Midwest becomes an aspiring actor in New York, a movie star in Hollywood, and an enigmatic mystery in the end. Who was he? Nobody saw him in the same way. I loved it."―David Webb Peoples, screenwriter of Blade Runner and Unforgiven"The story of Chance Hardwick's rise to fame is told in intricate detail in oral testimonies from his friends, teachers and fellow industry insiders. Erik Tarloff knows how the "business" works. Against the backdrop of the McCarthy Era, his tale of Chance's life and career is fascinating and moving."―James Naughton, actor, singer, Tony Award winner of Chicago and City of Angels"Tarloff’s novel is funny, smart, literate, witty and highly quotable. The story skims through the history of Hollywood as witnessed by extremely original, entertaining characters, and is a delight all the way. So what are you waiting for? Read it!"―Treva Silverman, writer and Emmy Award-winner of The Monkees and The Mary Tyler Moore Show"The Woman in Black is the Spinal Tap of oral histories―a delicious satire, but also very touching. Relive Hollywood’s Golden Era as told by the people who should have been there. Inventive, funny, moving―don’t wait for the movie. Read The Woman in Black.”―Ken Levine, writer, producer, and Emmy Award winner for M*A*S*H, Cheers, and Frasier

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About the Author

Erik Tarloff has written for the stage, the screen (both large and small), and publications like Slate, The Atlantic, The New York Times, The Washington Post, The Financial Times, Prospect, Vogue, and many others. He contributed to speeches by Bill Clinton and Al Gore. He currently lives in Berkeley, California, with his wife, economist Laura Tyson. This is his fourth novel.

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Product details

Hardcover: 280 pages

Publisher: Rare Bird Books, A Vireo Book (March 12, 2019)

Language: English

ISBN-10: 1947856979

ISBN-13: 978-1947856974

Product Dimensions:

5.5 x 1 x 8.5 inches

Shipping Weight: 14.4 ounces (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

9 customer reviews

Amazon Best Sellers Rank:

#187,395 in Books (See Top 100 in Books)

In film history, the Woman in Black was a Hollywood mystery woman who left flowers on the grave of Rudolph Valentino for 58 years. Valentino was a silent film star who died in 1926 at the age of 31. Now, in his new novel of the same name, bestselling Berkeley author Erik Tarloff brings the story up to the 1950s. And he conflates it with a figure who resembles James Dean, a heartthrob of that era in much the same way as Valentino was in his. Dean was 24 when he died in 1955.A legendary actor like Valentino and James DeanTarloff's answer to Valentino and Dean is Chance Hardwick, a brilliant and exceptionally handsome young man from the Heartland who arrives in Hollywood at a young age. In California, he quickly becomes established as an actor and then vaults to stardom in short order. As the "editor" of the book, film historian Gordon Frost, notes, "Chance Hardwick was an incandescent talent. . . But he was just getting started when he was taken from us."Elsewhere, Frost describes him as "more mesmerizing than Brando, cooler than Paul Newman." But Hardwick dies when tragically young swimming off the Malibu coast, possibly a suicide. And all he leaves behind is a handful of brilliant film performances. Plus "that old lady, that mysterious old lady dressed all in black, who still lays flowers on his grave every year on the anniversary of his drowning." And that Hollywood mystery woman elevates Hardwick from a brilliant young talent of one era into an enduring legend for the ages.A story told through "interviews" with four dozen charactersThe story Tarloff tells in The Woman in Black is straightforward. But the way he tells the tale is not. The story advances in chronological order through a series of brief snippets from "interviews" alternating among nearly four dozen characters. A less skillful writer could easily get lost along the way, losing the thread of the plot and failing to imbue those characters with anything resembling personality. But Tarloff makes it work admirably, turning a simple tale into a psychologically revealing portrait of a troubled young man.A Hollywood mystery woman, the Blacklist, and a legendary actorBy the end of the novel, despite all the insight from so many people who observed Chance Hardwick in life, you may not have a much greater grasp of his elusive personality than any of them. But you'll have gained a richer understanding of Hollywood in the 1950s, the impact of the Blacklist, and the studio system that dominated the film industry from the 1920s to the 1960s. And you might brace yourself for a surprise at the end of this clever and enjoyable tale.About the authorTarloff comes honestly to his subject matter. He has set the novel in the late 1940s and 50s at the peak of the Red Scare, when hundreds of Hollywood screenwriters, actors, directors, and others were blacklisted. Tarloff's parents, both screenwriters, were among them. And, as he told Frances Dinkelspiel of Berkeleyside in a 2014 interview, politics have always fascinated him. He contrasted his interest with that of his wife, Laura D'Andrea Tyson, former economic advisor to President Bill Clinton: "She is interested in policy, not politics. Where for me it's kind of what football is for most guys. I like the game."But Tarloff's connection to his subject runs deeper. Like his parents, he became a screenwriter. As he told Berkeleyside, "he has written more than 100 TV scripts for comedies such as M*A*S*H, All in the Family, and the Bob Newhart Show." The Woman in Black is his fourth novel.

A Woman in Black is remarkable and extraordinary, and a great and delightful read to top it off. Like all truly fine novels, it will leave a lasting impression. A real achievement.

The Woman In Black is a novel about the short life and foreshortened career of a young, fictional ’50s movie star, Chance Hardwick, considered by many to be the greatest actor of his generation. It’s told in the form of an oral history, following him from his Midwestern youth through New York apprenticeship, Hollywood stardom, and untimely death. It’s related in a series of anecdotes told by 37 people who played an important role in his life. In this respect, the story is reminiscent of Citizen Kane, a portrait of a charismatic icon told through multiple points of view, with none of them quite getting to the essence of the central character.In addition to being a dramatic account of a memorable individual, it is, almost incidentally, a vivid portrait of a legendary time and a legendary place. But the Hollywood in this novel is told with warts and all.

"What hits me most of all is The Woman in Black's perspectives. The main character, Chance, is the center of a mirrorball where the beams going out turn around, and those which said beams have shown on tell their tales of the experience. And their words are not just a few times like the swords a stage magician thrusts into the box holding a pretty woman."

As with all of Tarloff's books, this one is a great read....and a lot more. The Woman in Black is the story of Chance Hardwick, a young charismatic actor and his rise to fame in Hollywood. His story is told from the perspective of 37 of Chance's friends, colleagues, teachers and family, giving the reader singular insights into Chance's complex character. The artistry of Tarloff's handling of these 37 unique perspectives is a true tour de force, and makes the great story even more compelling.

The Woman in Black is a deceptively great novel. "Deceptively" because its subject matter is the movie business, an arena that rarely lends itself to literary distinction. But the originality of its narrative structure, the virtuoso use of a multiplicity of different voices to tell the story of a charismatic yet elusive figure, and the existential mystery of identity at the novel's core elevate it to a higher realm. And with ( or despite all that ) it 's an entertaining and memorable read.

As told via intercut interviews with dozens of people who knew him through the years, from family and friends to middle school teachers to movie producers to everyone in betwee -- giving the narrative a unique multi-POV -- Erik Tarloff's THE WOMAN IN BLACK is the story of the always enigmatic Chance Hardwick as he ascends quickly from humble midwest beginnings to New York City stage and soap opera actor to movie star status in 1950s Hollywood. Despite this fast success, none of it seems to satisfy him. The bigger his star blazes, the worse he seems to feel about himself and his life. So he takes fate into his own hands, or does he? Which leads to the eponymous woman in black, who visits the young star’s grave every night on the anniversary of his death. Who is she? Why is she? Tarloff’s A WOMAN IN BLACK is both breezy and mysterious, a swirling meditation on fame and identity (or the loss of) and “Beware of what you wish for.” A page-flipping and thoroughly captivating read from an author at the top of his game.

This is the third book I’ve read from Erik Tarloff. I find him to be a wonderful writer. In this novel, about Hollywood in the 50’s and the unexpected downside of getting what you wish for, he uses a literary device not often found in fiction — the oral history, and it works wonderfully. Great ending as well. I highly recommend it!

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